Monday, April 21, 2014

Video Art Reading Notes:

“The Body, the Image, the Space In-Between”

-Installation Art depends entirely on the existence of the museum or gallery
-Framed by the room itself, when visitor examines the piece, they are (in a sense) in the piece
-With installation pieces, with the necessity for gallery permission, grants, and formal requests through detailed plans and models, improvisation is left to minimum…But there is still risk in execution, whether the installation will work in the space or not.
-This type of art allows the audiovisual experience to be a mind and body type of leaning.
-Performance art vs. theater:
Performance art allows the viewer to be part of the experience, inhabiting the same world, “possessing the same capacity to influence and respond to events.
-types of video installation:
-Closed-circuit video: Plays live footage of the viewers and space, projected or displayed on monitors.
-Recorded-video art installation: like spectator on a stage, with viewer interacting with screen, which has pre-recorded video playing.

-TV vs. Video Art: When watching TV, placement of the monitor itself is not important, only the imagery on the screen. With Video installation, the space the imagery is shown in is important, the monitor, imagery or video, floor, wall, window.
This video installation is called "Play Dead: Real Time". The artist is Douglas Gordon.
https://www.youtube.com/watch?v=Q-XD6fuf0ho
Currently I believe it is at the MoMA, but I'm not positive.

Wednesday, April 16, 2014

“Video Art”- Reading Notes

pg. 20-25, 36, 54, 68, 76

Candice Breitz “Mother + Father” (2005)

-Uses numerous monitors, arranged in arcs while playing clips from various parts of movies containing 12 famous actors.
-Cuts the clips to have them moving in conjunction with one another
-“It’s a rhythmic, electronic collage.”

Dan Graham  “Video Piece for Two Glass Office Buildings”

-This piece uses projection of architectural space to show different perspectives and viewpoints.
-Ideas of architecture have been present in his work since this piece

Aernout Mik “Dispersion Room”

-Presents an office space with workers in an “unfettered, free state.” 
-outside of confines of the office space, juxtaposing the standard and boring work of the office space, and the norms within such a space, and the actions the workers are performing.

Tony Oursler  (Numerous Works)

-His work is both sculpture and video art
-Possibly the best known American video artist

-Commonly uses various projections of faces in situations of anguish or discomfort projected upon mediums including wood, plaster, and the wall.
-Ideas pursued in his work include mental annexation, loneliness, insomnia, and fear.

Sunday, April 13, 2014

Monday, March 31, 2014

Innovation and Plagiarism vs. Copying Without Variation 
           Though rationales to convey messages are the same, the 20th and 21st centuries are unique in the amount of resources we have to convey messages to one another. In the context of today’s world, people’s attention is gained through advertising, media and art. In this stream of messaging, there is a rush for originality, and new outlets to convey messages. It seems that many people think if it is not new it is not good.
There are problems with this statement, but also truths with this statement. In my opinion, humans are natural innovators that strive to improve their environment, and are always solving problems. In conveying messages to one another, I think that creative solutions to the problem of sending messages are the most interesting to receive. Plagiarism seems to be the reusing of someone else’s method of message making while transmitting the exact same message.
Using the same method of transmitting a message as someone before you, without changing the message that person conveyed, is not living up to the innovation that humans are capable of. There are however different messages that can be sent using the exact same method of sending messages. This type of “plagiarism” is acceptable and creative in my opinion.

Take painting and the example of splattering paint onto a canvas or surface. Pollock, arguably the innovator of the practice, may have invented that aesthetic, but has by no means exhausted the different messages splattered paint upon a canvas can convey to a viewer. For example within the genera of street art, becoming seriously popular within the last 5 to 10 years also employs the use of spattered paint on canvas and surfaces quite extensively to convey a completely different message to the viewer.

Wednesday, March 26, 2014


Life Feed: Webcams, Art, and People Article Notes

JenniCam is a “superhumanizing prosthesis”, a machine that empowers the ear and voice to operate across great distances.

"Video's real medium is a psychological situation, the very terms which are to withdraw attention from an external object- an Other- and invest it in the Self."  ---Rosalind Krauss

Marisa Olson (30 yrs later) after comment above describes the real frame of vision not to be the field of vision for the web cam video, but the window of the browser, or what is shown. She is collecting reflecting images, or artifacts of another time and space to view.

Justin.tv was the start of vlogging.

2006- Guthrie Lonergan collected introduction videos from kids' introductions on Myspace. By putting all the videos together onto a Youtube channel, they become unoriginal, and far from the expression they were trying to achieve.

Monday, March 3, 2014

Favorite Continuous shot in film

https://www.youtube.com/watch?v=QfBSncUspBk

Also, how they did it.

https://www.youtube.com/watch?v=cBfsJ7K1VNk.

Wednesday, February 26, 2014

Scared Little Doggie
http://www.youtube.com/watch?v=BuYXjPeuEh0

Monday, February 24, 2014


Statement Elements
-Performance art is culture bound
-Always related to a specific contex
-Actions without meaning are senseless
-Performance stimulates memory activation, sentiments, feelings and beliefs of viewer.
- Human being exists for interaction of three basic fundamental factors of the body: biological sphere, the social-ecological shere, and the inter-psychic sphere.
-definition of an action can refer to an urge, a drive, to chase or to stir-up.
 -Performance action yields a performer to be an action maker but whether or not the performers body must act within the action is not yet defined.
-Arab definition of body:
-Gesem: concrete biological/ mechanical structures of the body. (Blood and muscles, bones.)
            -Gesed: mental structure which controls the body.
-Beden: psyche-body elements of soul and true, transparent emotions which can be expressed through the Beden or Gesed.
-An action related to Gesem is easily definable, but what if it is related or spurred by the Gesed or the Beden.
-The task for the artist who works through the body is to achieve natural equilibrium between these forces of the artists body.
- Above all the senses, the heart allows an individual to look inwardly and profoundly, so far to get a more pure and concentrated perception of the many possible configurations in the scheme and in the configured system of things.
-To understand and comprehend is a question of profound feeling and flow of energies.
Performance art: A Social Role between Ethics and Aesthetics.
Performance art would is becoming increasingly oriented toward networking globalization and innovation of communication.
-can be applied to technology, political, economical processes and contemporary society.
-Performers role is changing: by becoming less an actionist of reputed and supposable nonsense, and more a communicator of things once considered impossible.
-They help convey them in a clear manner
The Laws of Communication: Space, Truth and Body in Action.
-Truth in art is connected to atmosphere and the environment than to the presence: it is a combination, gathering and convergence of occasions and situations.
Conceptual Lines:
-In Performance, sound, voice, and words are used as vehicles for pure expression.
-The body is an unknown landscape that invites one to explore hidden manifestations while emotions and feelings are unstoppable streams that traverse the body.
-Action Art: mainly a research to explore and lead the vital capability of the body (at whatever condition it is left or subdue) to interact with reality and become a true visual place in which and where meanings (social/ individual/ spiritual) are produced.
Analysis
-The Performer must act in his or her own nature to realize their own full potential. He/She is a poet of actions, and an artist at the same time. He doesn’t play or interpret, but gives and delivers.
Defining a Possible Grammar
-A retraction of ego helps form the “new self”
-The performer is never artificial or pretentious.
-“Being contemporary means “to base and tune our own self into something” and to deal at the same time with one and the other’s own economical being and creative one.”