Statement Elements
-Performance art is culture bound
-Always related to a specific contex
-Actions without meaning are senseless
-Performance stimulates memory activation, sentiments,
feelings and beliefs of viewer.
- Human being exists for interaction of three basic
fundamental factors of the body: biological sphere, the social-ecological
shere, and the inter-psychic sphere.
-definition of an action can refer to an urge, a drive, to
chase or to stir-up.
-Performance action
yields a performer to be an action maker but whether or not the performers body
must act within the action is not yet defined.
-Arab definition of body:
-Gesem: concrete biological/
mechanical structures of the body. (Blood and muscles, bones.)
-Gesed:
mental structure which controls the body.
-Beden: psyche-body elements of
soul and true, transparent emotions which can be expressed through the Beden or
Gesed.
-An action related to Gesem is easily definable, but what if
it is related or spurred by the Gesed or the Beden.
-The task for the artist who works through the body is to
achieve natural equilibrium between these forces of the artists body.
- Above all the senses, the heart allows an individual to look
inwardly and profoundly, so far to get a more pure and concentrated perception
of the many possible configurations in the scheme and in the configured system
of things.
-To understand and comprehend is a question of profound
feeling and flow of energies.
Performance art: A Social Role between Ethics and
Aesthetics.
Performance art would is becoming increasingly oriented
toward networking globalization and innovation of communication.
-can be applied to technology,
political, economical processes and contemporary society.
-Performers role is changing: by becoming less an actionist
of reputed and supposable nonsense, and more a communicator of things once
considered impossible.
-They help convey them in a clear manner
The Laws of Communication: Space, Truth and Body in Action.
-Truth in art is connected to atmosphere and the environment
than to the presence: it is a combination, gathering and convergence of
occasions and situations.
Conceptual Lines:
-In Performance, sound, voice, and words are used as
vehicles for pure expression.
-The body is an unknown landscape that invites one to
explore hidden manifestations while emotions and feelings are unstoppable
streams that traverse the body.
-Action Art: mainly a research to explore and lead the vital
capability of the body (at whatever condition it is left or subdue) to interact
with reality and become a true visual place in which and where meanings
(social/ individual/ spiritual) are produced.
Analysis
-The Performer must act in his or her own nature to realize their
own full potential. He/She is a poet of actions, and an artist at the same
time. He doesn’t play or interpret, but gives and delivers.
Defining a Possible Grammar
-A retraction of ego helps form the “new self”
-The performer is never artificial or pretentious.
-“Being contemporary means “to base and tune our own self
into something” and to deal at the same time with one and the other’s own
economical being and creative one.”
The complete text by Andrea Pagnes "Body Issues in Performance Art: Between Theory and Praxis" is published on Art&Education: http://www.artandeducation.net/paper/body-issues-in-performance-art-between-theory-and-praxis/
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